Cate Le Bon

Early Show

Cate Le Bon

Quilt

Fri, September 21, 2012

Doors: 7:30 pm

Mercury Lounge

New York, NY

This event is 21 and over

Cate Le Bon - (Set time: 8:30 PM)
Cate Le Bon
Cate Le Bon hails from Carmarthenshire, rural West Wales and is currently a resident of Highland Park, Los Angeles, having relocated across the Pacific, coinciding with the recording of her new album.

Towards the end of 2012, having completed extensive touring for her previous album, Cyrk, Cate returned to Wales to write the songs that would become Mug Museum. The album was informed by a period of taking stock after bereavement. "Following the death of my maternal Grandmother I felt a very palpable shift in the roles that we'd all become accustomed to within the female line of the family which, for the first time, had me mulling over the importance of my placement and purpose within this female chain," says Le Bon. "The album's theme emerged from and circulates around these maternal familial relationships and this period of calm, lengthy, intent consideration in turn drew other relationships into the Mug Museum."

With Le Bon now relocated to California, Mug Museum was recorded at the recently opened Seahorse Sound studios, Los Angeles. Produced by Noah Georgeson (who is perhaps best known for his work with Joanna Newsom and Devendra Banhart) and Josiah Steinbrick. Mug Museum is an album that lets in the sunlight and space and relocates the West Wales lilt in Le Bon's voice to an equally apposite West Coast setting. In the studio Le Bon assembled a band of friends from both continents. Accompanying Le Bon on the recording are the multi instrumentalists Sweet Baboo, H. Hawkline and Nick Murray from White Fence. "I flew H. Hawkline and Sweet Baboo over from Wales who I've had the pleasure of playing alongside for years," she says "I saw White Fence play at the Troubadour last year and was mesmerised by the whole show but especially by Nick Murray's drumming and asked him to play on the album immediately after the gig."

As well as describing the personnel involved in Mug Museum, "Welsh - Californian" is a phrase that captures the album's sound: woozily melodic, dreamily confident and wrapped in a hazy psychedelic gauze. This is a record made with the type of clarity that follows a change in perspective and situation. There is a directness and openness across the ten tracks on Mug Museum that suggest everyone involved had discovered the same lightness of touch and sense of purpose.

"I wrote the majority of the record in the home country but a few songs were finished out here in the run up to recording," says Le Bon "I'm sure Los Angeles has bled into the recordings somehow but exactly how I do not know. There was a calm brutality to making decisions - It all happened very quickly and directly, as it should."

Throughout Mug Museum, Le Bon's voice changes register to great dramatic and emotional effect; on "Duke" and "Cuckoo Through The Walls" these shifts occur during the course of the same song. Perhaps her voice is at its most startling on "I Wish I Knew", a duet with Perfume Genius, one of the album's most atmospheric tracks and one on which two distinctive personalities and voices combine to produce a performance of rare alchemy. "Last April I toured with Perfume Genius," says Le Bon "I watched him play every single night and not once did my attention waive. I was over the moon when he agreed to come and sing on the album."

From the bewitching circular riff of the album's opener "I Can't Help You" to the closing title track that sees Le Bon accompanied by piano and the occasional burst of double-tacked clarinet, Mug Museum's reflective song writing weaves around a richly detailed framework. Like all museums it is a contemplative space, a personal world that is open to everyone. "A place of weighted hauntings and considered reconciliation, where you resolve and tailor your purpose and significance within your relationships" is how Le Bon describes it. As these ten songs attest, Mug Museum is also a unique and dreamlike edifice and one that has been created by an artist at the height of their powers.

About Cate:

Her first album Me Oh My was released on Gruff Rhys's Irony Bored label in 2009 and was followed by Cyrk (OVNI/Turnstile) which was released to widespread acclaim in 2012 and saw her play live across the world, including being invited by St. Vincent to tour the United States. Le Bon has been a frequent collaborator, she sang the duet "I Lust You" with Gruff Rhys on Neon Neon's debut album Stainless Style. "4 Lonely Roads", a forthcoming track on Manic Street Preachers' Rewind The Film album features Le Bon on lead vocals.
Quilt - (Set time: 7:30 PM)
Quilt
When the three members of Quilt arrived in New York City in April to begin the intensive recording process for their second album, the new and aptly named Held in Splendor, they stepped directly into spring. Anna Fox Rochinski, Shane Butler and John Andrews had spent much of the previous several months clutched away at "The Puritan Garage" in Boston's Charlestown, shielding themselves from a winter of blizzards with the haven of their practice space and a set of fresh songs.

Since the release of their 2011 self-titled debut on Mexican Summer, they’d become more than kids just out of college. They’d become a bona fide hard-touring band, with stories to share from the road and experiences to distill into the narrative of new music. Though they continued to write and arrange tunes together, always an essential part of Quilt’s creative process, they brought songs to one another, too, making and modifying demo tapes for the first time. No longer rookies, Quilt began to approach their music like a lifeline. Coming to New York, then, just as the magnolia trees bloomed and the season of new life began to blossom, Quilt got to work.

“That was,” says Rochinski, “a magical time to be making a record.”

Indeed, when Butler talks about recording the kaleidoscopic Held in Splendor, he seems to speak of an ornate children’s playground. Whereas their first album was made mostly for free and mostly by friends over the course of a year of starts and stops, in sessions that captured the early and elemental and exciting efforts of a band finding its footing, Quilt entered the proper in-house studio located beneath the Mexican Summer offices in Brooklyn for this one. They’d allocated a solid month for recording, and they clocked full days, every day, with Woods member and producer Jarvis Taveniere.

The approach was wide-open: They tuned drums and recorded the same song with multiple microphone set-ups. They added bass and invited friends who added saxophone and violin, cello and steel guitar. They built this album together.

“We would go in for 10 hours a day, six days a week, and we just made sounds and jokes for the entire time. It was an incredible way to make a record,” Butler says. “We were able to flesh out the songs in crazy ways we’d never imagined: There are all these loop-based drones beneath the songs, and we used more pedals than we’d ever used before.”

Held in Splendor is is an audacious pop-rock record with cascading harmonies and billowing textures, punchy rhythms and snarled guitars, wonderful depth and resplendent peaks. “Mary Mountain” takes hazy Summer of Love memories on a mid-summer road trip in a gleaming muscle car. “Tired & Buttered” invites Booker T over for an energy-addled jam in the garage. “The Hollow” twinkles like Fleetwood Mac and Galaxie 500, with sweet singing backed by the lap steel sighs of young acoustic guitar star and longtime Quilt pal Daniel Bachman. Held in Splendor is an album of personal poetry and public questions, confessions and aspirations—really, these 13 tracks are their own playground, brimming with the sort of unapologetic energy and wonder that turns simple songs into absolute anthems.

“We’re really attracted to records where each song has its own voice. We wanted to focus on what each song had to say,” Butler explains. “Having the studio, demoing the songs and knowing each other better as musicians helped make that happen. That was a really exciting process for us.”

Sample Tracks
Venue Information:
Mercury Lounge
217 E Houston St.
New York, NY, 10002
http://mercuryloungenyc.com