High Highs, Snowmine

Late Show

High Highs

Snowmine

Fri, November 16, 2012

Doors: 10:30 pm

Mercury Lounge

New York, NY

This event is 21 and over

High Highs - (Set time: 11:30 PM)
High Highs
Widely tipped as “indie darlings” and a “band to watch” on the strength of an acclaimed EP, some high profile film and TV placements, and a series of hypnotic live shows, High Highs are set to deliver on their early promise with a debut LP in late January 2013.

Critics have embraced the four-track High Highs EP as “simply spun and exquisitely enthralling,” and singer Jack Milas’ falsetto as a “weapon of mass emotional destruction.” Milas and co-founder Oli Chang create an “unholy” blend of acoustic-guitar textures and synthesized atmospherics. The band’s signature sound has struck the blogosphere as “shimmering” and “stunning” “sun-kissed sadness.”

High Highs kicks off with “Flowers Bloom,” with its “delicate synth soundscapes [and] haunting vocal harmonies.” It also features the “sweeping” “folk-pop” of the single “Open Season,” the “gorgeous” “Ivy,” and “Horses” – which has drawn multiple favourable blog comparisons to Neil Young.

Milas and Chang began making music together as High Highs in their native Sydney, Australia, while working at the same recording studio. Chang was in another band at the time, but found himself drawn to Milas’ writing style. The pair plunged into a world of collaboration and invention. They discovered the basis of a band aesthetic by marrying Chang’s passion for electronic indie with Jack’s penchant for classic acoustic rock.

“There’s obviously a lot of scope for what you can do with a laptop and a keyboard,” Chang explained. “It’s more straightforward which palettes of sound work with acoustic guitar, drums, and voice. That helps narrow it down a bit.”

Lead vocals were a responsibility Milas initially was tempted to shirk. “I just had so little confidence in my voice,” he confessed, “and singing in falsetto was the only way I knew how to get any vague vibe out of it.” Chang concurred. “Singing in falsetto, you don’t have to be confronted with yourself,” he said. “Your speaking voice is you. With falsetto, you can become someone else. You don’t have to deal with listening to yourself.”

When Milas took an opportunity to work and live in New York, Chang soon followed. The duo settled in Brooklyn, re-committed to making High Highs music, and joined forces with drummer Zach Lipkins – who is also handling mixing duties on the forthcoming LP. “It’s awesome that Zach is a really talented producer as well as a great drummer, especially because a lot of the time the drum arrangements are really minimal and heartbeat-like. He knows how to ride a gentle dynamic wave.”

Live gigs presented the trio with a new set of musical challenges. “We had to figure out ways to get this delicate, soft music to have impact in a live kind of atmosphere,” Milas said. “We’d be going on after a heavy metal band, or a synthy pop-rock thing, and it was like we had to match that in scale, create a big sound, and cut through the noise. We realised there has to be scale and dynamics to the performance, within its small intimacy, because if it’s all too quiet and hushed and atmospheric, it doesn’t engage us or the listeners.”

High Highs played well-received gigs to expanding audiences in New York – including a packed residency at Pianos on New York’s Lower East Side – and in London to a sold out crowd at the Old Queen’s Head. Their widescreen sound meanwhile attracted the attention of college radio programmers and music supervisors alike – which landed a coveted slot in ABC’s taste-making Grey’s Anatomy, another in the hit film Pitch Perfect, and another in a heavily-rotated spot for the Amazon Kindle.

The band’s debut long player will feature EP favourites “Open Season” and “Flowers Bloom,” live standouts “Once Around The House” and “Phone Call,” and more brand new songs. Tour dates around the release date will be announced in late 2012.
Snowmine - (Set time: 10:30 PM)
Snowmine
Snowmine don't just want to create music that you hear. They want to make music that you feel, that is in every breath, every corner and settles deep within the heart.
The Brooklyn quintet formed out of a longtime friendship between bassist Jay Goodman, drummer Alex Beckmann, and lead singer/composer Grayson Sanders. They soon met guitarist Austin Mendenhall after his then recent move from the DC jazz scene, and finally invited their old friend, guitarist Calvin Pia, to complete the five-piece.
Sanders, the son of an opera singer and oil painter, discovered a voracious appetite for Classical and IDM music at an early age. A zealous disciple of Stravinsky, Ravel, Bartok, Ligeti and Autechre, he spent the better part of his adolescent life in a bedroom, hunched over manuscript paper or staring at a computer screen. By the time he was 22, he had written five full symphonic premiers, including a recent modern orchestral cover of Bjork's "Cover Me."
These classical influences can be found throughout their music, while also combining elements of classic afrobeat, electro-acoustic soundscapes and early 20th century orchestrations. Snowmine self-released and self-produced their debut LP, Laminate Pet Animal, in May 2011 to much critical acclaim and solidified their presence in the hearts of loyal fans across the country, playing grandiose performances with chamber orchestras, installation art gallery shows and just about anything in between.
The band has spent the summer hard at work recording their new LP to be released in early 2013. Recorded in Germano Studios in Manhattan and Doctor Wu's in Brooklyn, the new record promises to build on the band's distinguished, textual and rich sound.
Right now one thing is certain. Next year is going to be a very, very busy one for the band.
Venue Information:
Mercury Lounge
217 E Houston St.
New York, NY, 10002
http://mercuryloungenyc.com