These "serial heart stealers" [The Deli Magazine] produce an absolute wall of sound; thunderous drums echoing behind a classic rock rhythm section with soaring, lush vocal harmonies. Take that picture and paint it with shades of The Clash's on-stage dominance, the vibe of The Band circa 'Rock of Ages' and the power of My Morning Jacket and you've almost got The Bottom Dollars.

Hailing from Brooklyn, NY, this proudly-loud five piece are quickly becoming a point of discussion for bloggers and tapers, as well as eager & sweaty concert-goers all across the country.

Hot off the release of their sophomore album, "Good News, Everyone!," The Bottom Dollars stormed through the american independent rock scene showcasing at consecutive SXSW(s), CMJ Music Marathon(s), placing first as The Deli Magazine's Best Emerging Artist of 2011 (Editor's Poll) and recently recorded a session with indie giants: Daytrotter, peaking at #47 in their top sessions.

Fast cars, loud guitars, beer, video games, leather jackets, boredom, and good-old-fashioned rock shows. The Nuclears are modern rock n' roll sound, with a classic twist that channels The MC5, New York Dolls, The Velvet Underground, David Bowie, and Alice Cooper all at once. The Nuclears recently dropped the second single of a new release cycle, "Up All Nite", a follow-up to their April 2012 single/b-side, "Myrtle Ave At 4:00am"/"Don't Like It, Don't Get It, Don't Care", and their 2011 self-titled album.

"The Nuclears play exactly the kind of rock n roll that the CBGB's Festival had been missing all weekend. Band members bent over backwards to solo onstage, hair plastered to sweaty foreheads, pin-balling between packed throngs of fans that included glimpses of false eyelashes, fishnets, and glittery flapper dresses on both men and women.... And isn’t that the true spirit of CBGB?" - Consequence Of Sound

"Gutter rock numbers that do The Dictators proud...one confident, bad-ass, braggadocios bunch." - Broken Beard

Deathrow Tull is NYC’s dirtiest dance outfit. From funk to afro-beat to rock and hip hop, this seven-piece ensemble manages to bend genre with a contortionist’s fervor. The three vocalists, Stephen Rawking, W.M.D.Dubois, and Skirt Vonnegut oscillate between plangent harmonies and ferocious raps giving crowds good reason to both nod their heads and gyrate their hips. The rest of the band provides rhythm and distortion to weave a sonic backdrop guaranteed to move the masses.

From the underground Bushwick dance parties that launched their vibe to the greater stages of NYC’s Mercury Lounge and Brooklyn Bowl to the staggering midnight dance parties on the Brooklyn Bridge, Deathrow Tull has a reputation for scorching the earth wherever they land. If you’re seeking the perfect convergence of funk, rap, rock, and electro, Deathrow Tull will proudly “kick your ass!”