Crawling out from the weed-choked lots of the once proud town, The Detroit Cobras whip out ass-shaking anthems to good times, wild times, and the high and lows of L-U-V-E; you best believe it and you best not mess with it. Singer Rachel Nagy and guitarist Mary Ramirez are the bad girls by the exit doors at the school dance, all leather and heels, sneaking smokes and passing the flask. They have no time for dewy-eyed love songs or girl group decorum; theyll take care of business themselves with a bat of the eye or an elbow to the kidney. Rachels warm as the bourbon under the seat of your car voice can boom to the back pews (Did we say "pews?" We meant "barstools") and Marys riffs let you know that love and good times can be found in the tilt of a hip or at the end of a fist.
Bashing out garage rock years before it was fashionable and rockabilly-influenced sounds as if the Stray Cats had never happened, the A-Bones were a Brooklyn-based five-piece that approached the sloppy greatness of rock & roll's past with a beer-addled enthusiasm that had nothing to do with "oldies" or "nostalgia" and everything to do with the primal impulse to play music that's fast, loud, and wild. Named for a tune by the Trashmen, the A-Bones were led by vocalist Billy Miller and drummer Miriam Linna, who previously bashed it out in the Zantees and were also the brains behind wild-assed pop culture journal Kicks and label Norton Records, both of which reflected the same frantic attitude as their band. (Filling out the lineup were Bruce Bennett on guitar, Mike Lewis and later Marcus "The Carcass" Natale on bass, and Lars Espensen on sax.) The A-Bones kicked off their career in 1984, and two years later they released their first record, a 10" EP called Tempo Tantrum, with the album Free Beer for Life! following in 1988. They lent their services as a backing band to such unsung rock & roll legends as Rudy Grayzell, Hasil Adkins, Johnny Powers, Ronnie Dawson, Roy Loney, and Cordell Jackson, released a fistful of singles on various hyper-cool labels, and released five full-length LPs for Norton before finally calling it a day in 1994. The group played occasional reunion shows over the next decade, though, and in 2004 recorded a new tune (with backing vocals from the 5.6.7.8's) for a 20th anniversary retrospective, Daddy Wants a Cold Beer and Other Million Sellers. In 2009, the A-Bones reunited again and released the full-length studio effort Not Now!
Guaranteed to turn any club into your favorite local haunt, the Underthings are perfect Saturday night rock 'n roll, wrapping around a good time like a shot and a beer.
Taking cues from kickass rock n' roll bands (think Rockpile, Real Kids, Ramones, Stones, AC/DC, etc...) The Underthings make no concessions, give no quarter, and have no agenda, other than rockin' whatever joint they happen to drive the van to.
From gigs at local record shops and watering holes, with no stages and one lung P.A. systems, to sharing the boards with national acts at high end night clubs and theaters, The Underthings always leave the room to smiling faces and choruses of "more, more..."