“A good song has a way of speaking to everybody” Danny Barnes says. “I have faith that more people are going to hear my songs, which is really what I have to offer. I’m not one of those virtuoso instrumentalists, I can’t compete with those guys, but the one thing I can do is write really good songs.”
Part Southern gentleman, part humble artist, Barnes is being more than a bit self-effacing with this statement. Widely regarded as one of the most innovative and genre-bending artists of his craft, Barnes' musical interests are both varied and adventurous, and he incorporates that versatility into a progressive approach to an instrument that is musically polarizing and steeped in tradition. Although he demonstrates an appreciation for the history of the bluegrass, country, and folk music from which the banjo's reputation was born, his inventive take is what truly separates him from his contemporaries…using the banjo as his ‘weapon of choice’ to play non-traditional music like rock, fusion, and jazz with electronic percussion and loop elements.
Described as “…the last great Rock and Roll frontman” by Jello Biafra (of the Dead Kennedys), Shack Shakers front man J.D. Wilkes began yelpin the blues through a ham radio microphone at his boyhood home of Paducah, Kentucky…a short farmer’s blow away from where his future bassist Mark Robertson was cutting his teeth on punk rock and gospel in Nashville, Tennessee. When their paths crossed a few years later in the lawless honky tonks of Music City’s Lower Broadway scene, they found their individuated styles and common interests meshed. That’s when the like-minded, red-headed musical misfits began their crusade.