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Samantha Crain
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Sometimes music is a collision of opposites. Realities clash and coexist, and the tension that results is scary and strange, but undeniably beautiful. Maybe that's why Samantha Crain and the Midnight Shivers embody so many conflicting unities and clashing identities. With a blow-your-hair-back vocal presence that occasionally yields to whisper-soft vulnerability, Samantha Crain unites the sounds of confidence and desperation. Traditional folk arrangements tremble beneath the tasteful drumming of Jacob Edwards, the twangy guitars of Stephen Sebastian, and the heart-beating bass lines from Andrew Tanz. Lyrics about disaster and despair peacefully coexist with anthems of community and reconciliation. Here are darkness and light; here are life and death.

These colliding realities stem most notably from Crain's unlikely artistic heritage, which she wears on her sleeve but just as readily transcends. Hailing from the state that birthed both The Flaming Lips and Woody Guthrie, Samantha Crain writes with both the brazen conviction of the latter and the unflinching creative ambition of the former. Hers is a folk tradition indebted to Radiohead as much as Bob Dylan. Her shadowy arrangements and razor-sharp lyrics blur whatever superficial lines of genre or aesthetic may seem to separate these influences. It seems whatever the ingredients, she has a place for them in her inexplicable artistic recipe. Her sound is deeply rural and southern, but also itinerant and urban. Like Jack Kerouac before her, Crain is lost on the subway, sleeping in boxcars, leaving lovers behind, and dining in small town obscurity all within a few short days.
Peter Wolf Crier
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Inter-Be is the debut album by Peter Wolf Crier, the Minneapolis-based duo of Peter Pisano and Brian Moen. The album was born on a single summer night when Pisano felt a torrent of creativity after what had felt, to him, like an interminably long dry spell. He shared the songs with Moen, and over the months that followed, at Moen's home, these rough-hewed tunes became what they are now: a confident collection of songs, but deceptive in that their very guts still reflect the thoughts of a man in transition.

Pisano's is not a new songwriting voice. He is best known for being part of the Wars of 1812, an ascendant Wisconsin-bred quartet. Their first album together, Status Quo Ante Bellum, was more than just an album. It was relocation and aspiration and Pisano's lyrical Eden. As the Wars went on hiatus, Pisano continued to hone his craft, keeping his days full as a teacher at a small private school while fine-tuning, at night, the songs that would soon become Inter-Be. Feeling confident in the songs, Pisano approached Moen, a seasoned drummer and engineer best known for his involvement in Laarks and Amateur Love. After being asked to add some percussive elements, Moen added his thundering drum rolls and perfectly timed fills, but he also added something much more: a melodic soundscape that would complete the evolution of the songs. So was born the partnership that is called Peter Wolf Crier.
Diamond Doves
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