Red Baraat

Late Show

Red Baraat

Little Shalimar (DJ Set)

Fri, September 9, 2011

Doors: 10:30 pm

Mercury Lounge

New York, NY

$15 advance / $20 day of show

This event is 21 and over

Red Baraat - (Set time: 11:30 PM)
Red Baraat
The place: a club in the middle of Brooklyn renowned for its sophisticated clientele, its receptivity to innovation, and its ideas from abroad. On a small stage in a tight, dimly lit back room, eight musicians are whipping a New York City crowd into a frenzy with an unprecedented, high energy, gut-busting fusion of jazz, hip-hop beats, rock muscle, funky go-go, and scalding hot bhangra. A horn section blares, percussionists pound, everybody shouts, and the group’s charismatic leader, Sunny Jain, holds the explosive songs together with rhythms from his dhol – the Indian double-headed drum played slung over the shoulder that provides bhangra with its frenetic heartbeat. And just as it was the month before, the line of patrons who came to this club in Park Slope stretched out the door and down the block because they couldn’t get enough of Red Baraat – a riveting octet that NPR has dubbed “The best party band in years.”

Versatility is one the band’s hallmarks. Red Baraat can mesmerize an audience with a funk groove, turn a switch, and drive the same crowd to the brink of delirium. Since its formation in 2008 and those storied nights at Barbès in Park Slope, the magic of Red Baraat has spread far beyond New York City. The group’s second studio album in 2013, Shruggy Ji, debuted at #1 on the Billboard World Music charts and propelled the band on a nonstop three-year world tour that included appearances at Bonnaroo, Austin City Limits, Hardly Strictly Bluegrass, New Orleans Jazz & Heritage Festival and Peter Gabriel’s WOMAD Festivals in Australia, New Zealand and the UK. Along the way they sold out rooms as diverse as the Luxembourg Philharmonic and New York City’s iconic Bowery Ballroom and performed at the request of The White House, TED and Olympic Games. Yet no matter how much success and notoriety Red Baraat has achieved, Sunny Jain and his comrades have never stopped experimenting or adding new elements to their peculiar alchemy.

The group’s soon-to-be-released and third studio album, Bhangra Pirates, features a key element that the first two did not: guitarist Jonathan Goldberger, whose surreal textures and percussive playing is the ideal complement to Jain’s thunderous dhol. Additionally, the sonic pallet has further expanded with processed effects on both the dhol and sousaphone. The formidable Red Baraat brass section remains intact: sousaphonist John Altieri, whose deep bottom end anchors the ensemble’s explorations, electrifying trombonist Ernest Stuart, dexterous sax man Jonathon Haffner, and trumpeter Sonny Singh, whose melodic sensibility has colored all of the band’s projects. Drummers Chris Eddleton and Rohin Khemani alternate between power and precision – Eddleton draws his inspiration from hip-hop and rock, while Khemani from world percussion, notably Indian classical music.

Each musician in the band pulls from distinct traditions while speaking through their instrument with their own particular musical vocabulary. That it works so well is a testament to Sunny Jain’s utopian vision and his faith that communication across cultures doesn’t have to be vexed in the slightest. All it takes is empathy, creativity, love, and willingness to abandon reservations and surrender to the spirit of music and the moment. This effortless outlook empowers Red Baraat to do what it does best - communing with their audience in a joyful, near hedonistic celebration of music and dance, which tellingly draws a crowd even more diverse than the players on stage. “The universality of what Red Baraat does is undeniable,” says Jain. “Bhangra Pirates embodies that push and pull in all of us…free spirit, community, rebellion, tradition, and new journeys.”


A baraat, explains dholi and bandleader Sunny Jain, is an Indian wedding procession – one that includes a groom on top of a horse, friends and family singing and dancing, and usually led by a brass band. (The “red” part of the group’s handle refers both to the symbolic meaning of the color in Indian weddings and the passion he elicits from his musicians and from listeners). Jain was born and raised in Rochester, New York, but his family maintained close ties to India, and with regular summer visits throughout his childhood he applied what he learned from his cultural heritage to his musical education. The drummer and composer recorded several accomplished jazz albums with the Sunny Jain Collective and has collaborated with Norah Jones, Peter Gabriel, Q-Tip, and the acclaimed Pakistani Sufi-rock band Junoon, among many others. Yet he always dreamed of applying the celebratory energy of the Punjabi wedding bands he had encountered on his trips overseas to American jazz, rock, funk and pop. With Red Baraat, he has realized his ambition and taken the project in wild improvisatory directions he’d never anticipated.
Little Shalimar (DJ Set) - (Set time: 10:30 PM)
Little Shalimar (DJ Set)
Following in the footsteps of genre defying pop acts like Beck and Sly Stone, Little Shalimar will rock you like the Black Keys, groove you like the Dap Kings, and crack you up like Ween with a sound that's at once both classic and decidedly "now".
In the winter of 2009, Torbitt Schwartz aka Little Shalimar went to Los Angeles to work on a project with producer Dave Sitek (TV on the Radio, Maximum Balloon) but was immediately sidelined with severe pneumonia. Bed-ridden and heavily sedated with codeine cough syrup and pot cookies, he wrote the songs that would become his debut solo EP, The New Pneumonia Blues. Singing as well as playing every instrument on the album Little Shalimar shows touches of Dr. John, Can, Tom Tom Club, Jimi Hendrix, and Gnarls Barkley. From the kazoo driven bounce of "Bad Position" to the guitar/synth bombast of "Winds of Wackness", what remains most consistent are wry yet sincere lyrics, a wicked groove, and some genuine shredding. Little Shalimar is a Lebanese, Jewish, WASP, Kentucky Colonel that grew up writing graffiti in Flatbush, Brooklyn and going to art rock shows in Louisville, KY. He's also a multi-instrumentalist/producer/DJ/performer that's worked with the likes of Elvis Costello, El-P, TV On The Radio, Antibalas, and Steve Arrington. In 2000 he formed the group Chin Chin who released two albums and a number of singles on the legendary Definitive Jux label. His life was changed when he heard Hendrix's Radio One album while cutting school in 10th grade, at which point he began shoplifting rock and roll records to compliment his collection of golden era hip hop vinyl (an offense that would land him back in his native Kentucky for the remainder of his high school career.) Torbitt returned to NYC where he studied jazz performance and composition at the New School of Jazz and Contemporary Music with Chico Hamilton, Junior Mance, and Henry Martin. It was at this time that he began his career as DJ Little Shalimar (a moniker that has since evolved into the name of his live band). He has shared the decks with the likes of Peanut Butter Wolf, Eli Escobar, DJ Spinna, Theo Parrish, Stretch Armstrong, Bobbito Garcia, Prince Language, and many more. Known for his eclectic mix of disco, funk, hip-hop, house, rock, soul, and reggae, he has toured the world and held down residencies at some of New York City's most happening clubs. Torbitt was recently awarded top honors in the 2011 edition of New York Magazine's "Best Of NYC" issue for his regular Saturday party at Franklin Park. In addition to his many album credits, Torbitt's production company, It's The Sound has produced music for feature films, documentaries, television shows, and commercial works (Nike, Adidas, CNN, etc).
The New Pneumonia Blues is sure to become a favorite with fans of fun, accomplished and eclectic music, and Little Shalimar is bound to attract even more fans when he hits the road. With a live band featuring members of TV on the Radio (when they're not touring), Antibalas, Phenomenal Handclap Band, and Chin Chin, a Little Shalimar show is a multicultural, face melting party that showcases some of Brooklyn's most exciting musicians.
Venue Information:
Mercury Lounge
217 E Houston St.
New York, NY, 10002